Saturday 15 November 2008

Questionable creativity

I know I've picked on car ads before but these big ticket items seem to attract big budget drivel.

Ford are airing some particularly pretentious pap on UK television screens these days. For example, people floating their old ugly cars off with balloons once they've seen a Mondeo. Or, more obscurely, a bunch of TVs with art displayed on them driving around a city at night before they turn into the new Fiesta.
Maybe I just don't get it. Maybe I'm being unfair.

It seems that the Fiesta ad presents the car as the "spirit of now". I'm paraphrasing a bit but according to the ad agency's blog, the images on the TV screens are works defining the essence of modern life and culture today by cutting-edge creative talent from all over Europe. You can read more about the ad on the Ogilvy blog here. There's also a link to watch it if you want.

Hmm yes. very clever. Although I'm not sure David Ogilvy would have approved of such an indulgence in his name.

Being called "the creative industries", advertising companies forget their role demands more than making stuff up. They perform a marketing function. Maybe if they were referred to as "the creative marketing industries" they would remember that they were paid to sell stuff.

In contrast, I saw an ad for the Vauxhall Zafira the other day that creatively promoted one of the key differentiating benefits of this product. It showed the vehicle driving around while people made effortless adjustments to their normally static environment to make life easier. For example, two cars needed to pass in a narrow alley, so a man in the alley gives a building a little push to make the alley wider, and so on. Before the ad is finished we see that two extra seats fold out of the floor in the boot when you need them.

Ask yourself - would you choose a car because the ad is arty, or because you can share the school run with one of the neighbours?

Someone tell me I'm wrong.

Friday 11 April 2008

How much should I pay for a sales letter?

Checking out the competition is always enlightening. I've been looking at websites of other copywriters and noticed a few publish sample fees for common jobs. Being a direct marketing nerd I'm always intrigued by the cost for a letter.

I'm amazed at the number of writers offering one or two page sales letters for £50. Even a cheap writer is only allowing two hours work at most at that fee. Yet the same people charge four or five times as much for a company brochure.

Here's the question - how can anyone get to grips with understanding your business, it's values, your products, why anyone should buy them, your customers, your target market, your competitors and so on; then actually write the thing in a way that convinces those target prospects to respond, all within a couple of hours?

More realistic fees for a researched letter, one that's more likely to get a good response, start around £250. That's about the same as a basic brochure. Think of it this way, the value isn't in the quantity of material, it's in what it does for you.

Or you can waste £50 plus the cost of paper, printing and postage.

So, if you need a letter or email to promote your business, my advice is to look for a copywriter who knows the difference between selling and telling. A marketing or agency background is usually a good sign. Direct Marketing experience is even better, but then I would say that.

Saturday 19 January 2008

Working without briefs


Nope, not talking about going commando. Saw this excellent piece of advice in Marketing Week yesterday:

"The brief is the most important piece of information issued by a client to an agency.It's from this that everything else flows, so it's vital that every effort is taken to prepare the best documentation of what is required. Creative thinkers need the tightest parameters to produce the most inventive response."
Scott Knox, Marketing Communication Consultants Association


There aren't many excuses for not bothering to write a brief. If there's time to reject first concepts and drafts, there's always time to write a brief. Here's a few brief tales from both sides of the divide.

It's a rush job
During a stint in an agency I was given a rush job - 2 days to come up with concepts and 1st draft copy for a mail pack.

The AM (Agency Muppet, otherwise known as the Account Manager if they're any good) met with the client for a half hour meeting. He fed this back to me in 2 minutes and gave me his extensive notes, which nearly filled the post-it. He rejected 1st concepts without going back to the client because:
  1. "Oh yeah, there's no budget for photography."
  2. "Actually, I now remember that they specifically didn't want to say that."
  3. "Or that."
Day wasted. Deadline missed. Yep, muppet.

Chinese whispers
Freelancing often throws up some odd situations. Last year I worked on a letter for a copywriting agency who were working for a design agency who had been appointed by the client.

The client met with the design agency and briefed verbally. Probably over a nice cup of tea
and some biscuits. The design agency then passed the materials provided by the client to the copywriting agency with some basic instructions. The copywriting agency forwarded what they had to me. The first draft of the four page letter I wrote was rejected outright as the client said "it didn't meet the brief". It became a rush job.

If only the brief had been an actual piece of paper that you could hold in your hands and share. Written communication is what separates mankind from the animals. Still, it was only the big Christmas campaign for a charity so it wasn't like it was important.

Make 'em earn it!
I swear this is true.

Working in a marketing department some years ago I stated my intention to write a brief for a project to my manager. Her commercially retarded response still makes me twitch, "No, make them (the agency) earn their money." Hmm, imagine having a builder start work without plans, would you get your money's worth?

No surprise, the job fell in a vat of poo and started running up chargeable re-work fees. And there's my final lesson - no brief, no guarantees.

Conclusion
If you're in a hurry - write a brief.
If don't' want to be disappointed - write a brief.
If you don't want to pay for extra work - write a brief.

If you need a bit of help with your briefs (chuckle), have a look at the Chartered Institute of Marketing's guide here.